1.Angle

2. Scenery

3. Speed

Card frame, subtitles, color

Fast cuts use the length of the lens, that is, the contrast between fast and slow, to create an external rhythm.

1. Rely on sound rather than relying on the rhythm generated by picture music

2. Choose close-ups with less information.

3. Appropriate addition of flash white can strengthen the rhythm

1. Way

2. Function

3. Classification

1. The contrast between the length of the shot

2. Sound contrast, sounds also have different scenes

3. Contrast between scenes

4. Dialogue contrast

5. Character contrast

Panorama and distant view are divided into atmosphere scene and scene scene.

Close-ups and close-ups are performance scenes.

Pay attention to the subject of scene-specific services

Scene > 80% of the subject is the distant view

See

listen

project

Arrange the materials according to space before the timeline, classify them into distant, medium, near, and special, and delete shaking, inaccurate focus, and out-of-focus shots.

Separate space through depth of field, light ratio, and color to make a two-dimensional plane three-dimensional.

1. Introduced at the beginning of the video

2. Strengthen the character’s inner emotions

The information is known and strengthened

Pull away, mostly used at the end of a video

Information unknown, at least two shots, close-up and panorama

Mostly used for character’s point of view

Highlight the mood of the film

Deepen the emotional resonance of the audience

Experience category

Expression class

1. Progressive group connection

2. Close-up transition

3. Similar shape transitions

4. Lens movement (the way the camera moves)

5. Momentum follows momentum (character’s movements)

6. Mask transition

1. Jump cuts: Create external rhythm

2. Fade/Fade: Show the passage of time and memories in a whole section

3. Flashing white: showing the passage of time and memories in fragments

The smallest unit cannot express meaning independently and needs to be combined to establish an image structure. Verbs are visual language and need to be realized.

Three shots make up a beat. One shot is a record, three shots can create an image

Triple beats constitute a scene. The threefold rule is the most basic rhetorical method

Three times a scene constitutes one scene. The first three scenes are very important

The human voice is used to determine the main line of the film and is the most important part of sound design.

Motion effects are all sounds produced by the movements of the subject or surrounding objects in the picture, such as the sound of keys opening the door, turning on lights, and the sound of clothes rubbing against each other.

Motion effects are used very frequently in movies and are not easily noticeable. The application of motion effects can enhance the audience's sense of immersion and involvement when watching the film, and subsequently enhance the rhythm of the film itself, which will not be easily noticed by the audience.

Ambient sound can be divided into internal and external sounds.

Internal refers to the different sounds the subject makes in different environments. For example, speaking in a factory will have echoes and the sound will feel empty.

External refers to the sounds from the surrounding environment, such as the sound of typing and whispered conversations heard when you are in an office building. The ambient sound in the off-screen space can give attributes to the characters.

Sound effects are artificially created rather than triggered by physical actions, and have been integrated into our daily lives, such as elevator door opening prompts, WeChat message reminders, etc.

Special sound effects do not appear in our daily lives. They simply serve the rhythm of the film, such as rising sound effects.

contrast of light and shadow

Color matching (preferably no more than three)

Brightness affects toning colors

It is better to adjust the color in a darker environment

Pay attention to the important points: Why is editing a montage? The basis of editing is derived from the concept of time and space. The theory of montage must be based on time and space.

Rough cutting is a feeling

Pay attention to logic

Important note: start cutting without following the logic, change speeds and make transitions, and finally just enjoy yourself

Note: rough cutting is very important

Single shot = single Chinese character

Is "I love you" a label? It's a feeling that doesn't exist alone

Editing cuts emotion first, story second, and rhythm last.

Basic lens montage

Expression is the feeling created by connecting through the lens

Such as: quickly show my life. When I was eating at home as a child, I turned into a junior high school student when I opened the door, became a high school student when I got off the elevator, and became an adult when I got on the elevator.

Such as: David Fincher's "Zodiac"

Such as: "Destined by Fate"

There is no suspense in the encounter at the beginning, but there is suspense in the encounter at the end.

Under the same dramatic mission, when we meet in the same "space", time will be unified