MindMap Gallery Painting Line drawing Clothes folds Coloring steps Light source magic
Painting, line drawing, clothes folds, coloring steps, light source magic, including basic knowledge, common types, drawing techniques and tips, etc. For readers who want to learn more about painting, this mind map is undoubtedly a valuable resource.
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painting
Line drawing
line
stage
Long line, short line
Smooth and closed (convenient for later coloring)
Smooth: easy to use, use two light, medium and heavy wires for wiring
Level (internal and external lines)
occlusion small light and dark
Practice lines
Practice 3 types of lines:
Light at both ends and heavy in the middle (commonly used in wiring)
Top-heavy
light-headed and heavy-footed
Arrangement of lines, a group of lines
Wiring (long, light, heavy)
question
shake
hair
Paint in one stroke, don’t rub it
break
Skill
Be sure to write, don’t be slow
Flip left and right, rotate R...how to draw as you feel comfortable
Make strokes before painting, then write
Drawing and practicing lines (beginners can’t pass it on)
tidy up lines
Changes in thickness (size), weight (transparency, pressure sensitivity)
Heavy on the outside but light on the inside
Frequently Asked Questions and Solutions
Handwriting - Keep your hands loose
Practice short-term first, then long-term
F5 or brush settings (dynamically adjust thickness, transfer weight)
clothes wrinkles
Common types of wrinkles
compression
droop
twist
accumulation
stretch
bending
Compound type
Appear location
Joint turning point (the folds of clothing are centered on the joint point and diverge to all sides)
cutting lines on clothes
subtopic
Folds at the corners: first make a z-shape along the joints, add radial lines and small ovals
Recess: triangle
Buttocks: Gluteus maximus (herringbone shape) - bend inwards, solid below and empty above
Arms and legs: spiral pull
The line should have changes in length, virtuality and realness
Color
Basic coloring steps
Determine the inherent color (hue)/background color--divided into layers
The first layer of shadow - distinguishing large light and dark surfaces
The second layer of shadow-continuing deeper into the dark side
Brighten decorative colors and improve details - improve completion
Different steps for coloring
Background color superimposed with black and white gray shadows
The line drawing is on top, and the color group is on the bottom.
Paint bucket (check all layers) fill in the background color (unfilled white edges appear, adjust the tolerance value) ctrl U hue saturation
Determine the relationship between black and white and gray, directly cover all objects with the same gray scale, and then add shadows. First determine the big light and shadow, and then add the shadow of some objects.
Place the original color of the object on the black, white and gray layer, and change the layer mode to Multiply
Create a multiply layer on all layers, lower the color of the image, then create an overlay layer, brighten and lighten
Continue to overlay layers and continue to add colors (for example, add yellow light, and add blue-purple to the shadow part for breathability. But be careful, all colors cannot be too pure)
Merge and copy the primary color layer and the layer previously used for color adjustment, and then use the curve tool to start pulling out various inverse colors. You can continue to copy the layer, and then adjust the opacity of the layer until you adjust it to suit your needs. color
Finally, merge all the color adjustment layers, create a new overlay layer on top of it, and continue to add some colors, such as some blue-purple in the dark areas.
ps flat coating
Line drawing
Flat base color (low saturation of base color)
Use layer properties (color burn, linear burn, etc. to draw shadows)
The overall final post-processing effect
inherent color shading
Group 1: G paint bucket-base color---fill colors in layers
Group 2: Shadow--Use the Lasso tool to select all layers so that it will not be painted outside---separate layers
Soft pen and color
Method 1. Create a new (upper) layer -----Use the background color layer mask = select the background color area and add a mask on the color layer
Method 2. On the original layer------------- select the layer, lock the layer, and add color with a soft brush
Background: Reference borrowed display material
Highlight (first effect - outer glow, then highlight)
Tips
(Premise: background color and shadow are divided into layers, and shadows are grouped on top of the background color group) Upper shadow
L Lasso Tool (Paint Bucket G--select all layers)
Use gray to draw shadows and then multiply (the gray shadows will automatically adjust according to the inherent color of the background)
Apply gradient directly to the eyes
add color
Intrinsic color, adjacent color, ambient color, light source color
light and shadow magic
Shadows (dark), highlights (brightened), light-dark transition
Different method steps
lay the background color
Multiply (dark)
Paint the highlights layer
After spraying with soft colors (warm/cold), change to overlay layer
Go back to the Multiply layer and use the soft color from the previous step to sweep the transition edges.
lay the background color
Multiply and hollow out (/eraser/mask)
Sweep a bright color on the transition edge to make the transition natural (multiply)
Various tips
skin coloring
Use cool colors for skin shading on multiply
Spray warm colors (meat type)
Spot contrast
close
solid, concentrated
Warm color transition (under sunlight, there is an orange bright line at the intersection of light and shadow)
Far
empty, scattered
cool color transition
top light
Overall dark
The light and darkness are normal - the head (a circle of light), the nose (a bright spot), the neck and the chest are dark, and the posture is
lighting transition
(pseudo thick paint)