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MindMap Gallery Prehistoric (Stone Age) Age and Pre-Qin Art
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Prehistoric (Stone Age) Age and Pre-Qin Art
This is a mind map about the prehistoric (Stone Age) Age and Pre-Qin art (about 2 million years ago - 22 BC. The main content includes: overview, Pre-Qin era, Neolithic Age (from about 10,000 BC), the Paleolithic Age (About 2 million years ago).
Edited at 2024-02-03 21:49:14- One Hundred Years of Solitude Character Relationship Chart
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- One Hundred Years of Solitude Character Relationship Chart
One Hundred Years of Solitude is the masterpiece of Gabriel Garcia Marquez. Reading this book begins with making sense of the characters' relationships, which are centered on the Buendía family and tells the story of the family's prosperity and decline, internal relationships and political struggles, self-mixing and rebirth over the course of a hundred years.
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Prehistoric (Stone Age) Age and Pre-Qin Art
- One Hundred Years of Solitude Character Relationship Chart
One Hundred Years of Solitude is the masterpiece of Gabriel Garcia Marquez. Reading this book begins with making sense of the characters' relationships, which are centered on the Buendía family and tells the story of the family's prosperity and decline, internal relationships and political struggles, self-mixing and rebirth over the course of a hundred years.
- One Hundred Years of Solitude Character Relationship Chart
One Hundred Years of Solitude is the masterpiece of Gabriel Garcia Marquez. Reading this book begins with making sense of the characters' relationships, which are centered on the Buendía family and tells the story of the family's prosperity and decline, internal relationships and political struggles, self-mixing and rebirth over the course of a hundred years.
- Project Management Process Template
Project management is the process of applying specialized knowledge, skills, tools, and methods to project activities so that the project can achieve or exceed the set needs and expectations within the constraints of limited resources. This diagram provides a comprehensive overview of the 8 components of the project management process and can be used as a generic template for direct application.
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Prehistoric (Stone Age) Age and Pre-Qin Art (About 2 million years ago - 221 BC)
Overview
paleolithic age (About 2 million years ago)
Work tools: beaten stone tools, economic life: gathering and hunting. no fine art
1. Labor: Different from animals, separated from animals 2. Labor: tools, stone tools, pottery 3. Practical production → styling → aesthetic awareness 4. Labor and material production determine artistic production. The differentiation of spiritual products from labor production 5. Combination of practical function and aesthetic expression
Neolithic (from about 10,000 BC)
Neolithic period: agriculture, ground stone tools, painted pottery 1. The integration of primitive religion and fine arts. Fine arts are basically realistic Supplies, art related to witchcraft, politics, and daily life. 2. The emergence of sacrifices and beliefs. 3. Make tools according to the laws of beauty
Pre-Qin era
Beginning of Xia Dynasty China Business Dynasty Western Zhou Dynasty to Eastern Zhou Dynasty (i.e. Spring and Autumn Period and Warring States Period)
The whole of prehistory was: The budding era of art and The era when aesthetic consciousness occurred
1. Characterized by the combination of art and practicality 2. Labor tools are created in production labor 3. Decorations are made for the purpose of beautifying life. (Some ornaments were not available until the Upper Paleolithic)
paleolithic age (About 2 million years ago)
Tools of labor: beaten stone tools, Economic life: gathering and hunting.
Neolithic (from about 10,000 BC)
background:
Labor tools: Regularly shaped ground stone tools, Achievements in the field of crafts: pottery. Painted pottery, painting, Pottery sculptures, rock paintings, jade carvings Economic life: primitive agriculture and animal husbandry, Social organization: matriline → patrilineal, entering military democracy
painting art
Time Distribution
1. Early period (about 10,000 BC - 7,000 BC) 2. Middle period (about 7000 BC - 5000 BC) 3. Late period (about 5000 BC-3000 BC) Majiayao Culture Yangshao Culture 4. Chalcolithic period (approximately 3000 BC-2000 BC) Longshan Culture (Transformation from primitive society to civilized society)
Painted pottery decoration and pottery painting: (What is painted pottery? What are the main types of Neolithic painted pottery? What are the artistic characteristics of painted pottery?)
Classification:
pottery: (1) Divided according to use: eating utensils, cooking utensils, and storage utensils (2) According to the quality of pottery, it can be divided into: red pottery, gray pottery, black pottery and white pottery (3) According to the surface decoration of the vessel: plain pottery, painted pottery, printed pottery, pseudo-shaped pottery
Yangshao Culture
Half slope type
Excavated land: Banpo, Xi'an, Shaanxi, Jiangzhai, Lintong, Beishouling, Baoji Types of utensils: circle bottom bowl, round bottom basin, pointed bottom bottle, wilted-shaped pot, etc. Patterns: 1. Geometric patterns: broad bands, triangles, diagonal lines, zigzag patterns, etc. 2. Animal patterns: bird pattern, fish pattern, deer pattern Decoration features: 1. The patterns are painted on conspicuous parts, and some are painted internally. 2. Mainly use black color, and also use red color Representative works: "Painted Pottery Basin with Human Face and Fish Pattern" (Concrete to Abstract)
Painted pottery basin with human face and fish pattern 1. Content: human face, fish pattern 2. Technique: Smooth lines, flat color blocks 3. Decorative features: (1) The shape is exaggerated and mysterious (2) The painting is full of interest 4. Meaning: totem theory, reproduction theory (reproduction is fast and abundant)
Miaodigou type
Excavated land: Miaodigou, Shaanxi County, Henan Province, Quanhu Village Site, Huaxian County, Shaanxi Province Type of device: large mouth, small bottom, curved abdominal basin, etc. Pattern: petal pattern, curved edge triangle pattern Decorative features: Patterns are mostly depicted with arcs, and most patterns are composed of two consecutive sides, which is a wonderful combination of virtual and real. Especially the petal pattern composed of dots and curves is the most representative Representative work: "Stork Stone Ax Picture Painted Pottery Urn"
1. Screen content: stork, fish, stone axe, clan annexation 2. Techniques: hooking, flat painting 3. Decorative features: (1) The shape is concise and summarized (2) The color contrast is strong 4. Significance: Representative of prehistoric paintings
Majiayao Culture
Type under Shiling
The place where it was found: at the foot of the stone ridge in Wushan Mountain, Gansu Province Type of container: jar, pot, bottle Patterns: 1. Geometric patterns: arc edge triangle, circle pattern 2. Animal patterns: deformed bird patterns, fish patterns Color painting: Mainly black color, simple decoration Artistic features: The composition is simple and clear, with a Miaodigou type style
Majiayao type
Origin: Majiayao, Lintao, Gansu Type of utensil: mainly small-mouthed pots and cans Patterns: 1. Geometric patterns: swirl patterns, wavy patterns 2. Animal patterns: frog pattern, bird pattern, fish pattern Color painting: Mainly black color, illumination method, contrast method (thickness, straightness) Artistic features: full and dense decoration, changeable convolutions Representative work: "Dancing Pattern Colored Pottery Basin"
1. Decoration: three groups of dancing people, painted in a single color 2. Features: Dynamic, rhythm, silhouette effect 3. Significance: The lively scenes of ancestors dancing in groups during major events.
Mid-mountain type
Excavated land: Banshan area, Ningding County, Gansu Type of vessel: small mouth, bulging belly, amphorae Decorative patterns: zigzag pattern, swirl pattern, drapery pattern Painting: Mainly black, some with red and black, pun method Artistic features: steady and elegant shape, harmonious and warm tones
Horse factory type (≈ mid-mountain)
Pre-Qin era
Time Distribution:
Xia, Shang, Zhou (Western Zhou Dynasty, Spring and Autumn Period, Warring States Period) The Xia Dynasty to the Spring and Autumn Period were slave societies, and the Warring States Period was the beginning of feudal society. Political art, witchcraft art, etiquette art, etiquette art
Bronze
background:
Originated from: Yellow River Basin---Longshan Culture and Qijia Culture.
What is it?
1. Bronze is an alloy of red copper and tin 2. (Zhou Li·Kao Gong Ji) Liuqi: Table of six copper and tin formulations with different properties 3. Lost wax method, welding method, cold forging method, hot forging method, etc.
Varieties, uses and rituals
Purpose: Ritual music, military tools, horse weapons
Unearthed from tomb
Late Shang Dynasty: Grade differences widened; Mid-Western Zhou Dynasty: Peak quantity and level (odd numbers in the Central Plains, even numbers in the south); Eastern Zhou Dynasty: Transgression
The development of bronze ware shapes and engravings:
Xia: Formation period of slave society, early Bronze Age.
Shang: slave society developed significantly, and bronzes matured to their peak (Dignified, many straight lines)
Early stage: Taotie breast nail pattern square tripod: regular and solemn, simple and clear decoration Later period: dragon and tiger pattern statue, four-goat square statue, Simuwu square tripod
Western Zhou Dynasty: The slave society was at its peak, and bronze craftsmanship followed the dignified and elegant style of the late Shang Dynasty. There are fewer wine vessels, more food vessels, and longer inscriptions (stealing curve pattern)
King Wu’s Conquest of Shang Gui: records the major events of King Wu’s conquest of Shang. Mao Gongding: 497 words
Eastern Zhou Dynasty and Spring and Autumn Period: princes competed for hegemony, the royal family declined, and slavery collapsed. The rituals collapsed and the music collapsed. Bronze smelting and casting was no longer monopolized by the Zhou royal family, and the number of castings increased, forming different styles.
Mid-term: stenciling method, lost wax method Decoration: popular Pan Chi pattern and Pan Hu pattern Style: The shape of the vessel is ingenious and gorgeous Lotus and crane square pot: artistic characteristics during the period of great social change
Eastern Zhou Dynasty and Warring States Period: Feudal society began and entered the Iron Age.
The atmosphere of life is rich: hunting, shooting, mulberry picking, feasting, fighting, etc. Bronze mirror with gold and silver knight embroidery and tiger pattern: embodies people’s confidence in their own strength A mulberry-picking feast, a copper pot, a bronze plate with a snake pattern, and a large copper chime
sculpture
bronze sculpture
Bronze sculptures with the nature of round sculptures, including bronze human figures and bronze statues of birds and animals, etc. Late Shang Dynasty: Large standing bronze statue
pottery sculpture
subtopic
jade carving
A comprehensive review of the jade carvings of figures and animals in the Shang Dynasty’s round sculptures has the following characteristics: 1. Simple shape, symmetry, compact structure and strong sense of volume; 2. Round carving and relief carving are usually closely combined with line carving; 3. Some decorative patterns mainly reflect the customs of the times and have no necessary connection with specific objects; 4. The themes are diverse, the style is solemn and majestic, and full of mystery.
wood carving
painting
mural
Pre-Qin murals: red and black colors are used to draw curly and symmetrical patterns on the white and gray walls. Western Zhou Dynasty: Temple murals with major historical themes were created The Spring and Autumn Period and the Warring States Period: Mural creation was especially prosperous
silk painting
1. Silk painting of figures, dragon and phoenix: from the Chu tomb of the Chen family in Dashan, Changsha, in February 1949. The texture is plain silk, 31 cm high and 22.5 cm wide. It depicts an aristocratic woman in a long skirt with a slim waist, turning sideways to the left and praying with her hands together. Led by soaring dragons and dancing phoenixes, the scene of soaring towards heaven 2. Jade Dragon Silk Painting of Figures: From the tomb of Zhunkuchu in Changsha in May 1973, on fine silk ground, 37.5 cm high and 28 cm wide. In the center of the painting is a nobleman wearing a crown, long robes, a beard, a handsome expression, and holding a sword sideways. A scene of a young man, with a canopy above his head, riding a boat-shaped dragon soaring towards the heaven. A crane stands on the dragon's tail, and a carp is painted under the dragon's body, indicating that the dragon is traveling in the Tianhe River. 3. A silk script with images of gods and monsters was also unearthed from a Chu tomb in Changsha, also known as a silk script.
lacquer painting
The art of calligraphy and seal cutting
Calligraphy: Oracle bone inscriptions, bronze inscriptions, stone drum inscriptions
Architecture Arts and Crafts